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Esta
programación es susceptible de modificación, compruebe
con antelación fechas y horarios de las actuaciones.
Palacio de Festivales de Cantabria. C/ Gamazo s/n. 39004 Santander.
Tel 942 36 16 06. Fax: 942 36 40 61
HORARIO DE TAQUILLAS: de MARTES a SÁBADO, de 11:00 a 13:00 h.
y de 17:00 a 20:00 h.

CALENDAR
PROGRAM
JANUARY - MAY
JANUARY
Friday, 4. SALA
ARGENTA. 20:30
RECITAL
"WOODY ALLEN & HIS NEW ORLEANS
JAZZ BAND”
Conductor, Eddy Davis. Woody Allen, clarinet. Eddy Davis,
conductor and banjo. Conal Fowkes, double bass. Robert García,
drums. Cinthya Sayer, piano. Simon Wettenhall, trumpet. Jerry
Zigmont, trombone.
Woody Allen. “I'm just an amateur clarinet player. If
I weren't famous, people wouldn't come to my concerts. They
come more to see me than to listen to me”. That's how
Woody Allen puts it. Not only he is known all over the world
as an actor and director, and writer, he is also a jazz musician,
captivated, as he says by the music from New Orleans. “I
learnt to play the soprano sax when I was thirteen or fourteen,
but later I chose the clarinet because I have always loved
New Orleans jazz and especially Sydney Bechet. In my lost
hours I listen to other music, opera, classical, modern jazz,
and I also like the songs from the Broadway musicals, but
I tend to prefer music from New Orleans”. Allen admits
that he is an amateur, and even recognises that he does not
know how to read music, but as he says “to make up for
that, the musicians in my band are all recognised professionals
who are excellent at this kind of jazz”.
Friday, 11. Saturday, 12. SALA
ARGENTA. 20:30
THEATRE
VICTORIA THIERRÉE CHAPLIN
COMPANY
“Aurelia's Oratory”
by Victoria Thierrée Chaplin
Actress, Aurélia Thierrée. Dancer, Julio Monge
Directed and Created by Victoria Thierrée Chaplin
“A dazzling exhibition of theatrical magic”. Aurelia's
Oratory is inspired in the magic of music hall, variety and
the circus, mixing the mystery of theatre with dizzying images
more from dreams than reality. In this upside down world with
unexpected meetings and incongruent characters, nothing is
quite what it seems. There is no start or finish, simply a
myriad of pieces from a visual puzzle, ruled by the strange
and poetic logic of our imagination. Victoria Thierée
Chaplin directs her daughter in this work of fantasy, a mixture
of Dance, music, acrobatics, puppets and magic. A spectacle
that promises to make dreams come true and transport the audience
to a world where the impossible can happen.
Saturday, 19. SALA PEREDA.
17:00 and 19:00
THE PALACE FOR KIDS
"Metal and its colours"
The concert “Metal and its colours” is placed
by six musicians, each of whom has their own musical career.
Pep Golandla, conductor, and Jordi Cardoner, stage direction,
have assembled the group to play this concert. They have a
common goal: to feel and to make us feel the music they offer
us. To achieve this communication, they play the programme
by heart, move around the audience, feel their energy, seek
their complicity and are able to keep moving us each day.The
projections that appear on the screen at different stages
of the concert also play an important role and are a good
link between the live concert and the CD-book of the concert.
Friday, 25.
Saturday 26.
SALA ARGENTA. 20:30
THEATRE
NATIONAL CLASSICAL THEATRE COMPANY
“No-one beneath the king”
by Rojas Zorrilla.
Laila Ripio, version and direction.
“This comedy is so popular in Spain that it is hard
to find an averagely educated youngster why can't recite some
or other quotation from it; it is constantly shown in cities
and is well known in towns and villages for being the first
play pulled out by travelling companies passing through. It
can therefore be said that this comedy is the most well-known
in Spain of all the plays of our enormous repertoire”.
That was how Don Eugenio de Ochoa began his prologue of “No-one
beneath the king, nor more honourable worker” Garcia
del Castañar in Volume 4 of his Treasures of Spanish
Theatre. After staging “Entre bobos anda el juego”,
in 1999 we have joined forces once again with Rojas Zorilla,
but this time bringing to the stage the play that gave him
most success, thus making it part of our repertoire. We hope
that our production is a fitting contribution to the tributes
being given this year from far and wide to one of our most
appreciated playwrights.
Thursday,
31. SALA ARGENTA. 20:30
RECITAL
"EMIR KUSTURICA & THE NO SMOKING
BAND"
Emir Kusturica was born in Sarajevo in 1954, in the former
Yugoslavia, and studied cinematography in the FAMU, school
of dramatic arts in Prague. He started his career directing
TV shows. His first film as director was “Do You Remember
Dolly Bell?” in 1981. He reached worldwide fame with
“Father's on a business trip” 1985, a black comedy
about fratricidal wars in his country. His cinema is tinted
with magical realism, mixing comedy and drama in a constant
reflection on the collective future of his compatriots. He
is an admirer of Hitchcock, Fellini and Jean Vigo. He has
won the Palme d'Or at Cannes on two occasions and the Golden
Lion at Venice on two others.
FEBRUARY
Saturday, 2. SALA ARGENTA.
17:00 and 19:30 Note
the time
THE PALACE FOR KIDS. THEATRE
COME Y CALLA (Shut up and Eat) PRODUCTIONS
"The Little Prince” by Antoine
de Saint Exupery
Pablo R. Escola stage direction.
“We seem to be trained to give immediate answers. This
is red, this is blue, that girl is tall, that man is black…
Although the drawing may be of an elephant inside a boa, we
see a drawing of a hat and we firmly believe that is right,
and we forget that there can be more options, more colours,
more qualities that we don't see, and we reject the possibility
of seeing a little beyond the simple appearance of things.
When I reread “the little prince” as an adult,
I remembered this innocent way of looking at the world that
I had as a child. When I was able to keep the questions and
did not try to answer them. When I could see elephants when
there were apparently only hats”. Pablo Ramos Escobar
Friday, 8. Saturday, 9. SALA
PEREDA. 22:00 Note the time
THEATRE
"Homebody/Kabul"
by Tony Kushner
Mario Gas, mise en scène and direction.
A journey that started in London in 1988 and continued in
Kabul under the Talibans, to return to England a year later.
This show will make everybody sit up and take note. Tony Kushner,
as he did with Angels in America, Slavs, and more recently
the script for Munich directed by Spielberg-questions universal
themes that affect us all.
Friday, 15. SALA ARGENTA.
20:30
CLASSICAL MUSIC
GRIGORY SOKOLOV, piano
“Preludes by Chopin”. Forty years alter Gregory
Sokolov won, at the age of 16 one of the most important competitions,
The Moscow Tchaikovsky in 1966, the world has been blessed
with what one American critic described recently as being
“a class of pianism, musicality, and art that one thought
has been lost for ever.” Sponsored from a young age
by Emil Gilels and recognised as an outstanding artist on
the Russian music scene since a teenager, Solokov has practically
reached the status of a legend for lovers of music and the
piano in all parts of the world. Nowadays, Sokolov is considered
to be by many the greatest pianist of our time.
Saturday, 16. SALA ARGENTA.
20:30
DANCE
BALLET D'EUROPE
Jean-Charles Gil, Artistic direction.
PROGRAMME:
PART I. “Schubert in Love”. “Schubert In
Love puts on stage brief encounters, moments of pure emotion
around the chamber music of the composer (…) Instead
of using visual or simply biographical effects, Jean Charles
Gil, pushes himself against the current tide, to reveal choreographical
physicality through dynamism, speed, unison, and the width
of movement itself“. A. Freschel, Le César, JANUARY
2007
PART II. “Mozart's Requiem”. “Face to face
with the mystery of death, what way to respond other than
celebrating life… We might think that Mozart had left
his Réquiem unfinished, denying that it had become
his own funeral litany. For this reason my choreography wishes
to bring to the movement the symbolic strength of the work,
paying tribute to Life without depression. Dance, seeking
elevation, plays with the weight of the body to achieve greater
lightness. Like time in suspense the purified movement transcends
the music.
MARCH
Friday, 7. Saturday, 8. SALA
PEREDA 20:30
THEATRE
TEATRO
ESPAÑOL DE MADRID
“Purging the Baby"
by Georges Feydeau
Georges Lavaudant, direction
About the play. Monsieur Follavoine is a porcelain
manufacturer who wishes to obtain the exclusive rights to
produce a line of supposedly unbreakable urinal for the
French army. To this end, he receives a visit from the civil
servant responsible for purchasing but the refusal of his
son to take his laxative medicine threatens to ruin his
business. A hilarious farce from a real genius from the
19th century.
Saturday,15. SALA
PEREDA. 17:00 and 19:00
THE PALACE FOR KIDS
RÉPLIKA THEATRE
“Alice",
by Daniel Pérez
Based on “Alice in Wonderland“ by Lewis Carroll.
Jaroslaw Bielski, staging and direction.
Alice, our Alice, is also going to lose herself in a world
that still keeps some of the characters created by the British
author, but this time with the repartee of theatral dialogue.
With different situations to solve, but with the same indisposition
to try to understand a strange world, distant from the conventialities
and rules of the normal world.
Saturday, 15. SALA ARGENTA.
20:30
RECITAL
ANA BELÉN. "Anatomy"
Anatomy is the nineteenth studio album of the singer/actress
Ana Belen, after Fishes in the City, 2001 and Viva Italia
2003. After preparing and recording the album with Javier
Limón, the album's producer, at the end of 2006,
the CD was released on 6th March 2007 in Spain and Latin
American countries such as Mexico, Argentina and Chile.
Friday, 28. Saturday 29. SALA
ARGENTA. 20:00. Note the time
THEATRE
TEATRO FERNANDO FERNÁN GÓMEZ
(CENTRO
CULTURAL DE LA VILLA)
"Baroque"
by Tomaz Pandur and Darko Lukic
With: Blanca Portillo, Asier Etxeandia and Chema León
Tomaz Pandur direction.
About the show. A drawing room before the French Revolution.
The complete history of the western world in a shelter,
on the eve of a cataclysm of great change. Outside, the
world is being split at the seams that had kept it together
for thousands of years; inside, silk is cracking under fear
and beauty. Very soon nothing will be the same. The exterior
and the interior will turn into two remote universes, so
much so that humankind will become a never ending journey
in search of a meeting point. But at this precise moment,
the outside and inside are still, for a short time, the
one and same universe. The ladies' powder rooms and the
cities speak languages understood by both worlds. The world
and the home are still the very same.
APRIL
Friday, 4. Saturday, 5. SALA
PEREDA. 20:30
THEATRE
"Cats"
by Manuel González Gil and Daniel Botti
The aristocratic home of Cayetana opens its doors at the start
of the 20th century to a group of women who, despite belonging
to different social classes, manage to keep a close contact
that will go from strength to strength over the years. “CATS”
is a feminine reconstruction of the century, that allows us
to rediscover and relive some of women's achievements, unfolding
a variety of roles and practises never imagined in previous
centuries.
Friday, 11. SALA ARGENTA.
20:30
THEATRE
LA CUADRA DE SEVILLA
“Flamenco for Traviata”
by Salvador Távora
Based on musical fragments from the opera “La Traviata”,
by Guiseppe Verdi.
Salvador Távora, direction.
About the show. The relationship between flamenco and the
pain and deep-felt sensitivity of the singers, with the cultural
atmosphere of the night world and prostitution, had, from
the times of the singing cafés or tablaos, a strong
influence on the lyrical inspiration and style of professionals
of that world. This was so much so that there are clear links
in fandango, a singing form later belittled by flamenco connoisseurs,
whose creative freedom without the conditioning models of
stifling purity made each neighbourhood in Seville, Granada,
Ubeda, Malaga, Almeria Jaen, Cordoba or Cadiz associated with
a singer and a style. A singer with particular ways of life
reflected in the fandangos; in the different measurements
of its construction of sound, in its dramatic modulations,
and the meaning of its lyrics; some sung without having been
written down before. A singer, some singers who, when academics
set down rules in the 1970s, were unfairly relegated, forgotten,
and at times downtrodden by rules that mummified the dramatic
modulations of the singing in general and which rejected fandango
in particular, due to its anarchical, creative freedom and
for being part a reflection of popular feeling.
Saturday, 12. SALA
PEREDA. 17:00 and 19:00 Note
the time
THE PALACE FOR KIDS - THEATRE
SECUENCIA TRES
"The Jungle Book" by Rudyard
Kipling
Version, Eduardo Galán. With the collaboration of Luis
Galán. Alejandro Arestegui, direction.
When Shere Khan the tiger is just about to match Mowgli, “the
man cub” a pair of wolves save him from certain death
and adopt him as their own son. The tiger swears revenge and
to kill the boy. Under the threat of the tiger Mowgli grows
up happily in the jungle, hunting with his wolf brothers and
learning the laws of the jungle with his teachers Baloo the
bear and Bagheera the panther. However, one day a group of
wolves led by Akela, rebel against Shere Khan. Little Mowgli
is forced to leave the pack and is taken by the bear and the
panther to the man's village. On the way, because of a mistake
by the foolish Baloo, the “crazy monkeys” capture
Mowgli.
Friday, 18. Saturday, 19. SALA
PEREDA. 20:30
THEATRE
FARAUTE PRODUCTIONS & BASTANIS PRODUCTIONS
PRESENT
"The Judas Kiss" by
David Hare
Miguel Narros, direction.
Two moments in a man's life, of a human being who fights to
defend a model of society that accuses him of having the boldness
to live his life according to his principles and what may
appear to more provocative, according to his feelings; although
these will leave him dragged off by an almost ill -like passion
that will lead to his ruin. Because one of the many contradictions
of the human being is that he pursues his desires even though
they go against his good. But the interesting aspect of Wilde
in the Judas Kiss is that he accepts, in a heroic act of coherent
obstinacy, the punishment applied not only for not giving
up a passion but for sticking firm to ideals that converted
him into a model, and a point of reference in the fight for
civil rights and individual freedom.
Saturday, 26. SALA ARGENTA.
20:30
DANCE
BALLET NATIONAL DE MARSEILLE
PROGRAMME: "Metapolis II" by Frédéric
Flamand, Thom Mayne, Dominique Perrault, Zaha Hadid
Frédéric Flamand / Dominique Perrault, concept
Frédéric Flamand, choreography. Dominique Perraul,
scenography
World premiere 15 July 2005 at the Marseille Festival.
1950,Marseille, the Radiant City of Le Courbusier. Also known
as “the house of Fada” it is a perfect representation
of the kind of utopia for which the architects of modernity
were still able to fight for, in their desire to model time
and space with the concept of general well-being in mind.
We would like to evoke a global Radiant City where the human
body is object of incessant energy flows, submerged in the
infinite ramifications of networks and moulded by ideologies
of healthy and safety. This new creation, my third look at
the city after Metapolis and Silent Collisions, is a continuation
of my project Dance and Architecture.
MAY
Friday, 2. SALA ARGENTA. 20:30
RECITAL
JARABE DE PALO. “Recycling Tour"
They will recycle all their greatest hits. “La Flaca”
sung in bulerias, the blues of “Lado Oscuro”,
the samba of “Bonito”, “Agua” converted
into Rumba, “Ole”, “Déjame vivir”
… all of them in new versions. Live music will alternate
with images on screen and jokes on the stage. Without a doubt
“RECICLANDO TOUR” will be a show that will have
every member of the audience sitting up and taking note, leaving
it clear that JARABE DE PALO is one of Spain's most creative
and important groups on the current music scene.
Saturday, 3. SALA
PEREDA 17:00 and 19:00. Note the times
THE PALACE FOR KIDS - THEATRE
COMBINATS PRODUCTIONS
“Tris, tras, trus !!! A story of feelings“
by Juli Disla and Estefanía Roldan.
Joan Miquel Reig, director
COMBINATS presents a new show for boys and girls. A show that
includes three different proposals according to the ages of
the children it is aimed for. Chance will choose three of
the five possible stories to be told. Just before the end
of the show the public will be invited to see the theatre
again to discover the stories that have not been told.
Friday, 9. Saturday, 10. SALA
PEREDA. 20:30
THEATRE
L'OM - IMPREBIS
"Don Juan Tenorio" by José
de Zorrilla
Santiago Sánchez, direction and version.
Written by a young romantic (in his early twenties), and in
the space of a few weeks, and hardly well-received at the
time, which caused Zorrilla himself to be the origin of many
curses about the quality of his work and its verses-it would
later turn out to be the public's favourite and the trampoline
for great actors and actresses and a necessary part of an
actor's repertoire in the 19th and 20th centuries.
Friday, 16. SALA
ARGENTA 20:30
CLASSICAL MUSIC
ROYAL PHILHARMONIC ORCHESTRA
DANIELE GATTI, direction
Considered to be one of the most important orchestras of the
World, the RPO has spent more than 6 decades living performances
of the highest level, maintaining the legacy of its founder
Sir Thomas Beecham. Conducted by important conductors such
as Arthur Rodzinsky, Georges Prêtre, Rudolf Kempe, Antal
Dorati, André Previn and Vladimir Ashkenazy, among
others, this internationally prestigious orchestra stands
out for its great musicality, its flexibility and great interpretative
skill.
Daniele Gatti, Conductor of the Royal Philharmonic Orchestra
since 1996 and Musical Director of the Teatro Comunale in
Bologna since 1997, he has been Musical Director of the Accademia
Nazionale di Santa Cecilia and Principal Director invited
by London's Royal Opera House in Covent Garden.
Thursday, 22. 19:30.
Friday, 23. 18:30, 21:30. Saturday, 24. 17:30,
20:30. Sunday, 25. 12:00, 17:00. SALA ARGENTA
THEATRE MUSICAL
STAGE ENTERTAIMENT SPAIN. Disney
"High School Musical"
Live On Stage. In FEBRUARY 2008 Disney's phenomenally successful
HIGH SCHOOL MUSICAL arrives exclusively in Spain in a new
stage musical form. The stage musical version includes surprises
such as two new songs not included in the original film.
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